You are prepared to Start the music activity: Soundtrack Listing for 'The Muppets' Released

Hipsters unite! The whole soundtrack listing for 'The Muppets' has finally been revealed, which is awesome enough that will help you grow a beard and go to Williamsburg. 'Flight in the Conchords' star Bret McKenzie has four tunes round the album, while Feist and Joanna Newsom make looks too. After which it there is a Muppets. Who preferred to listen to a typical felt creatures cover "Has The Scent Of Teen Spirit"? Oh, right: everyone! See the listing ahead. "The Muppet Show Theme" - The Muppets "Life's a cheerful Song" - Jason Segel, Could Be and Walter "Pictures throughout my thoughtsInch - Kermit as well as the Muppets "Me and Julio Lower with the Schoolyard" - Paul Simon "Rainbow Connection" - The Moopets "We Built This City" - Starship "Me Party" - Could Be and Miss Piggy "Let's talk of Me" - Chris Cooper "Guy or Muppet" - Jason Segel and Walter "Has The Scent Of Teen Spirit" - The Muppets Barbershop Quartet "Forget You" - Camilla as well as the Chickens "Rainbow Connection" - The Muppets "The Whizzing Caruso" - Andrew Bird "Life's a cheerful Song" - Finale Entire Cast "Mahna Mahna" - Mahna Mahna as well as the Two Snowths 'The Muppets' involves theaters on November. 23. The soundtrack is scheduled for release on November. 21. [via THR] Follow Moviefone on Twitter Like Moviefone on Facebook RELATED

16 Zombie Stars Hurt On Resident Evil Set

First Launched: October 11, 2011 12:16 PM EDT Credit: The brand new the new sony Pictures Caption Film Fan Forum: Will Resident Evil: Afterlife 3d Make Fans Ravenous For Just About Any Fifth Film Inside The Franchise? TORONTO, ONT -- In this publicity image released through the new the new sony Screen Gems Films, Ali Larter, left, and Milla Jovovich are proven in the scene from, Resident Evil: Afterlife. No less than 16 stars fitted as zombies were hurt round the number of a horror movie Tuesday, March. 11, 2011, after they fell off a moving platform inside a studio in Torontos west finish. The incident happened before 8 a.m. round the number of Resident Evil: Retribution, police mentioned. The sufferers were wearing costumes and makeup, which causes it to be tougher for deckie's to judge their injuries, mentioned Toronto EMS representative Peter Macintyre. (AP Photo/Screen Gems) TORONTO (AP) 16 stars fitted as zombies were hurt Tuesday after they fell in the platform throughout filming from the new movie inside the Resident Evil series, government bodies mentioned. Toronto emergency medical representative Peter Macintyre mentioned the sufferers costumes handled to obtain difficult at first for deckie's to judge the importance of the injuries. Paramedics taken proper care of immediately the telephone call from Cinespace Film Art galleries around 8 a.m. to find what came out due to Hollywood effects makeup being people who had experienced some untold catastrophe. I saw the look round the first paramedic, saying Oh my gosh God, Toronto emergency medical services Commander David Take advantage of mentioned getting fun. Toronto Police Sgt. Andrew Gibson mentioned responders quickly determined which zombies were hurt which happen to be just in character. It did kind of catch us unawares once we walked in, he mentioned. Since it switched out, the sufferers had experienced leg, back and arm injuries. Twelve were arrived at a hospital. Government bodies mentioned no injuries are believed existence-threatening. Police Constable Tony Vella mentioned the heavens happen to be filming a scene around the high wheeled platform. The woking platform moved simply because they would another platform, departing a gap into the zombies fell. Cinespace Film Art galleries did not immediately respond to a request comment. Resident Evil: Retribution might be the 5th installment from the franchise good popular gaming series and you'll be compiled by Screen Gems and also the new the new sony Pictures. Lead actress Milla Jovovich was this really is this is not on set throughout time from the accident, according to her representative Christine Tripicchio. Vella mentioned the incident is classified becoming an industrial accident. Canadas Secretary of condition for Labor is considering. Copyright 2011 by NBC Universal, Corporation. All rights reserved. These elements is probably not launched, broadcast, rewritten or redistributed.

L.A. On-Location Filming Up 15% In 3Q

On-location filming in La elevated by 15.4% year-over-year throughout the 3rd quarter, assisted simply by eight feature film shoots in the area which were based on the California Film & Television Tax Credit. The flicks — including Warner Bros’ Film Clip-directed Argo and period L.A. mob pic Gangster Squad, in addition to Screen Gems’ Steve Harvey book adaptation Think Just Like A Guy — certainly assist the industry’s situation if this involves offering the need for the condition tax credit, a yearly $100 million program that lately was restored for just one year as opposed to a wished-for 5 years after it had been compromised back through the condition Senate in committee. Overall, since its 2009 launch this program has introduced $3.8B in economic output and supported 20,040 jobs — and improves quarterly on-location production amounts such as the ones launched today by FilmL.A. Also throughout the 3rd quarter, non-tax-credit films like Oliver Stone’s Savages led towards the feature production uptick — the sector increased 49.9% in comparison with this past year. TV production increased 5.8% within the quarter but wasn’t assisted with a slide in drama as La lost 10 one-hour series this year. Regrettably, our summer time conjecture of reduced third quarter TV drama production was place-on, FilmL.A. leader Paul Audley stated. As the California condition incentive introduced six television dramas to La this quarter, weve seen other areas capture an abnormally large number of those economically advantageous projects.

Hugh Jackman talks The Wolverine script

If, like us, you got all excited at the idea of Darren Aronofsky directing a Wolverine movie, don't be too downhearted yet that he pulled out.If what Hugh Jackman says is true, the majority of the script that excited him remains."We had a script that was under Darren Aronofsky's directorial - it's 85 per cent the same. Darren took it in a Darren Aronofsky way and it's a version I know fans would have liked to have seen - I would have loved to have seen it," Jackman told Collider.Even though James Mangold (Walk The Line, Knight & Day) is now helming and Mark Bomback (Live Free Or Die Hard, Unstoppable) has been tinkering with those words, Jackman still feels it's a strong movie."This is the best script we have had, which is precisely why Darren signed on. I tried to get Darren to do X3 and Wolverine and he was always like, 'It's not really for me.' I knew he was looking for a comic-book movie and he read this one and he goes, 'Hey, this is the best one I've ever read.' So there is a lot of meat on the bone there. Now, Mark and Jim have taken it and I think that it is as strong, if not stronger, than what we would have had with Darren."

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In Recognition of Zach Galifianakis's 42nd Birthday, Let us Find His Short-Resided VH1 Series

Zach Galifianakis is really a riot around the giant screen today (even just in this past year’s rather staid It’s Type of an interesting Story), however i’m prepared to wager the 42-year-old comedian’s most powerful fans were just like fervent nine years back, when he was but a piano-playing standup having a unsuccessful VH1 talk show. For individuals people who viewed that damn show every evening because of its two-month run in 2002 and don't forget when he questioned Bradley Cooper in studio and singer Natalie Imbruglia on the crane, Galifianakis is really a valued treasure. Let’s revisit that old jewel in recognition of his 42nd birthday. Here’s a typical episode recently World with Zach. The shout-to his “twins” is especially great, and also the genius from the Sorority Boys roundtable talks by itself. Here, Galifianakis conducts things i will gauchely call a “meta-interview” together with his future Hangover costar Bradley Cooper. And lastly, here’s his stress-delivering interpretive performance to “Under Pressure.” The road, “I possess a show on the funnel that thinks Creed is awesome” should get you back to 󈥢.

Terra Nova: Dinosaurs Rule in Fox's Ambitious New Sci-Fi Saga

Anna Torv Send questions to askmatt@tvguidemagazine.com and follow me on Twitter!Question: Last year the TV season came and went without a breakout hit, and with more cancellations than usual. I'm interested in the strategy that the networks seem to be going for this year to make up for the extremely lackluster last season, especially over at Fox. I don't know exactly what Fox's expectations for The X Factor were, but I'm guessing that they're somewhat disappointed today. 12.5 million seems a bit of an underperformance, especially given that Two and a Half Men had double that many viewers. I was really surprised that New Girl (which I found absolutely delightful) not only matched Glee's numbers, but in fact did significantly better. Given that New Girl had been available online for several weeks prior, I'm surprised that so many people tuned in. This is perhaps a bit reminiscent of Fox's bold move in previewing the pilot of Glee in the spring after Idol, which paid off well (at least in its first season). I'll be interested to see where things go with Terra Nova, though I feel that the over-hype and delay could hurt it. Things were very interesting on CBS last Monday, with the insane amount of people that tuned in to see the revamped Two and a Half Men, the large number that stuck around for the delightful 2 Broke Girls, and the almost record number that watched How I Met Your Mother. Things look less optimistic at NBC, but that's hardly surprising. What do you think that the networks learned from last year's generally off year, and what do you think about the performance of the networks so far this season? - AlexMatt Roush: All in all, it was a good premiere week for network TV (unless you were NBC, which is still struggling most nights), with decent sampling for a number of new shows - New Girl and 2 Broke Girls in particular, but the back-to-back Modern Family episodes gave Revenge a bigger boost than I'd expected, and Up All Night is making a case for being rescued from NBC's Wednesday sinkhole. Yes, X Factor's opening week has to be seen as a disappointment for Fox, but I'm personally gratified to see comedies, dramas and reality being able to coexist on those nights, with the strongest of all of them drawing solid numbers. In terms of overall strategy for this season, you're seeing the networks taking bigger swings with shows like Terra Nova, Pan Am and Person of Interest (not a typical whodunit), to name a few, in reaction to last season being such a creative dud. And wait until you see some of the shows waiting in the wings for midseason: Awake, Smash and The River are very ambitious. They might not all work, but if they do, it will be almost as exciting as what happened two seasons ago when Glee, Modern Family, The Good Wife, The Middle and Cougar Town arrived the same season. I do think we have at least a few keepers this fall.Want more Matt Roush? Subscribe to TV Guide Magazine now!Question: I love Fringe and have been watching it faithfully from the beginning. I know you are a big fan as well. However, after watching the first episode without Peter, I have to admit to being thoroughly or almost thoroughly confused. I realize this is kind of playing out in a sort of It's a Wonderful Life way - Walter has difficulty staying grounded at all without Peter being there, etc. But other than understanding that, I didn't get what was happening with faux Olivia (is that what we called her and is she being kept confined somewhere?), and I thought Agent Lincoln Lee (now with glasses) had a double in the alternate universe as well, but am not sure. Any help or explanation is appreciated. If a fan like me is confused, I'm wondering about others who haven't seen the show at all? - FayeMatt Roush: This Friday's episode, which I'll preview in my weekend guide later this week, should give you a better sense of how the two worlds (and the various doppelgangers) are co-existing. And yes, alt-Lincoln was well established last season before we met "our" version, who I liked very much. But there's no question that Fringe isn't the easiest show to make sense of, so to address your last question, I think Fox and the producers have pretty much given up on the idea of growing the audience. (That's why Friday is as habitable a perch as the show can expect.)Question: I seem to remember that after last season's Mentalist finale that the writers promised that, yes, Patrick Jane really killed Red John. I personally like keeping the mystery alive, but I wish shows wouldn't make such grand statements and then reverse them on a whim. According to the season premiere, that is exactly what happened. Do you know what changed their mind? - DanMatt Roush: I'm fairly sure this twist is what they had in mind all along. It's possible the producers were purposefully misleading in some of their interviews after last season - how much do you want show-runners to reveal their hand, anyway? - but the way I understood the intent of the cliffhanger is that we were meant to believe that Patrick Jane in that moment believed he had killed the real Red John. It was only when Jane realized he'd been set up (with the missing gun, etc.) that he knew he'd been manipulated to kill the wrong fiend. I wouldn't call the producers' statements a lie (if in fact they did) as much as misdirection (which is what you should expect from people running a mystery series).Question: Wondering if others watched Prime Suspect Thursday night and found themselves slightly agog at its awfulness. Maria Bello is a good actress, but Jane Timoney is really, really, really hard to take. At least as she's written in the first episode. The original British series had the virtues of Helen Mirren as a fully human, sympathetic character. Ditto for the stateside gold standard Cagney & Lacey, which had the peerless duo of Sharon Gless and Tyne Daly. Certainly, Jane Tennison, Christine Cagney and Mary Beth Lacey "busted balls" when they had to, but those women also had charm, humor andtenderness (to varying degrees) in the character mix. Bello's Timoney is almost a cartoon of over-the-top aggressiveness and intensity. I can't imagine viewers wanting to tune into such hostile hard-assedness week after week. (And, let's be honest, the fedora is a silly affectation.) What's your take? - CathyMatt Roush: No one seems to like Jane's hat, and judging from last week's ratings, few seemed compelled to check Prime Suspect out at all. I'm OK with Maria Bello's toughness in the role, but they've softened the character in so many other ways: for instance, making a joke of her trying to quit smoking, as opposed to the career-threatening alcoholism of the peerless Jane Tennison of the British original. (Which, by the way, is available on DVD from Acorn Media, and well worth seeking out.) I was more put off by the cartoonish sexism of the goons she works with. You can hardly blame this Jane for putting up a combative shell. But I can see where it could all be off-putting.Question: I'm sorry if I missed you saying anything on American Horror Story. It originally looked interesting, fun and scary. Plus, I do like Connie Britton and Dylan McDermott. My question is, have you seen any episodes and do you think Ryan Murphy will pull a Nip/Tuck on us (now that I've read a bit more on it) and get more disgusting as it goes along? Or are we there already? Is this just going to be too gross, weird and sexual for most peopleto stomach? - ConnieMatt Roush: My review of FX's American Horror Story will be in this week's TV Guide Magazine (part of a horror combo including BBC America's Bedlam, which premieres this Saturday), and I'll be posting a review online closer to its Oct. 5 premiere. I did write about it after this summer's TCA screening, and looking at it again recently, my opinion didn't really change. It's a hot mess of a show, berserk and overstuffed to a fault, sometimes truly frightening and often gruesomely unnerving but just as often crossing the line from scary into silly - and this being Ryan Murphy in his Nip/Tuck psychosexual mode, it will be seen by many as grossly graphic in its attempt to be sexually provocative. (And I can't imagine what people are making of its poster, which instead of selling the haunted house premise is showcasing the surreal kinky image of a rubber-suited ghoul looming over a half-naked woman.) That said, there are moments when I felt I was watching a Hollywood Gothic classic, especially when Jessica Lange shows up as a loony and possibly sinister neighbor. I give Horror Story high marks for originality - there's nothing on TV quite like it, and FX is unquestionably a perfect home for it - but if only it didn't feel like it had been edited by a Cuisinart. This show will almost certainly be one of the fall's hot topics. I just wish it were one of the fall's best shows.Question: [From Twitter] Do you think that Rosie's unsolved murder hurt The Killing's Emmy chances? - SamMatt Roush: I'm sure it didn't help. But six nominations for the first season is a very strong showing, including lead and supporting actress, plus writing and directing nominations. It's another indication of AMC's reputation within the industry that The Killing could be taken this seriously, even with the controversy over the non-resolution of the season finale. But even if we'd learned who killed Rosie Larsen, it probably wouldn't have affected the results. The competition in these categories was very strong, and as much as I admired Michelle Forbes' work (to single one out), I was thrilled to see that Emmy go to Justified's Margo Martindale on behalf of an overall much stronger series.Question: So I thought Mad Men had lead actor, writing and drama all wrapped up with "The Suitcase" episode. I was thrilled that Friday Night Lights and Kyle Chandler was able to break up the party a little bit (though not enough to steal Drama Series away from Mad Men); however, "The Suitcase" will remain, in my mind, one of the best-written hours of TV for some time.But I want to ask you about the Emmy telecast. How can it be so chronically terrible? This is a show on television dedicated to celebrating the best shows on television, and we are very lucky to have so much good television abounding right now, from the networks to basic cable to premium cable. Yet it is consistently just a horrible awards show. I know the Tony Awards are a different beast (they try to promote Broadway as much as present awards), but I still have this year's Tony telecast on my DVR. The "Not Just for Gays Anymore" opening number and Neil Patrick Harris's closing rap make it just too hard for me to delete it. I live far from NY, I haven't seen any of those shows, and I doubt I'll make it to NY before those shows close, but I enjoyed that program immensely. Conversely, I watch TV (some might say too much TV) on a highly regular basis, my friends and family ask me what they should be watching, and I enjoy the stories that can be told only on TV as opposed to less expansive media. I should be the ideal Emmy viewer. Yet I had to turn the Emmys off after only an hour because it was so horrible. Is there hope for the Emmys, or should I, in the future, just plan to watch Sunday Night Football and wait for the winners to show up on the web? - ErinMatt Roush: First, "The Suitcase" episode of Mad Men. It's impossible not to exult over Friday Night Lights' come-from-behind victories this year after so many seasons of being shunned - I got quite a lot of mail (and a fair amount of re-tweeting) over Kyle Chandler's win, especially - and it's likely the case that a series finale as well executed as FNL's has an emotional power that overshadows even a brilliant piece of writing like "The Suitcase." So I'm at peace with the way the Emmys went, especially since Mad Men took the Best Drama prize (sharing the wealth), and it's not as if "The Suitcase" was lacking in acclaim.As for the Emmys show: It is a paradox that a ceremony intended to celebrate TV so frequently proves to be nearly unwatchable. The bells and whistles this year (the EmmyTones, the horrendous announcer) were especially annoying. But to be fair, the best-produced awards shows tend to be those that honor and showcase live performances, such as the Tonys and the Grammys. Like you, I've kept this year's Tonys in my permanent collection, and regardless of the network, I can't imagine why anyone wouldn't make Neil Patrick Harris their go-to host these days. (Well, he or Hugh Jackman. Their duet at the Tonys was pretty amazing as well.)Question: While watching the Emmys, it occurred to me that the only cable channels represented were AMC & HBO. Quite honestly, I find the AMC shows a bit boring after a few episodes and I don't have HBO so have never seen their shows. TNT, Lifetime, USA, even sometimes FX & TBS all have shows which are good quality, worthy of Emmy consideration. Are they just not eligible? The committee should really consider them, as some of us are not on the "Mad Men/Game of Thrones/Sopranos" bandwagon as it were. And you know what, those of us with basic cable actually watch more television than those with the premium. - JenMatt Roush: Not wanting to sound elitist - because I enjoy a number of USA and TNT shows, and FX for the record does occasionally crack into the Emmy ranks (with Justified, Damages, The Shield and assorted others) - but what's boring to you is seen as richly and deeply satisfying to others. Given the current strength of this remarkable season of Breaking Bad, look for that show to have a major comeback next year. The Emmys obviously isn't a popularity contest - if it was, formula procedurals like NCIS would dominate - and the best analogy I can make is to look at book awards, which rarely go to popular genre fiction, favoring works that aspire toward literature. I would argue, and have for years, that shows like Mad Men, Breaking Bad, the best of HBO and the channeling of Elmore Leonard we see on Justified qualifies as TV literature.Question: Alphas was my new favorite summer show. I especially enjoy the Gary character. He portrays an autistic person very well in my opinion. Does the show have an autistic person as an advisor? - GayleMatt Roush: Gary really is the breakout character on this show, isn't he? (Alphas, by the way, airs its season finale tonight, following a daylong marathon of the entire first season.) According to Syfy, the show does have an autism consultant advising production: Dr. Susan Bookheimer, a professor of cognitive neurosciences at UCLA. Ryan Cartwright also did research of his own to help him develop the character.Question: I'm usually content just to read the questions of others, but I'm getting very tired of seeing complaints everywhere about the continuous "teasing" on How I Met Your Mother. Does no one else understand that the show isn't *really* about the mother? The mother gimmick is just a way to give an interesting and unique purpose to the story, but the story itself is the point of the show. The day we find out who the mother is, the story will be over and the show will have to end. I would understand the impatience if this were a drama, and the "tease" was something that actually mattered to the plot, but the mother isn't all that important in the grand scheme of things. The show is about five friends and their journey. And actually, HIMYM is better than most TV shows when it comes to tying up loose ends. When a random comment is made about a goat, or an argument, it's always explained later. We know the answers will come before it's over, so why not enjoy the feel-good, comedic ride for as long as it lasts, instead of obsessing about a character who ultimately will only be a very small part of the whole? Am I crazy? - StephanieMatt Roush: You're right up to a point, but Mother is now in its seventh season, and I can't blame people for thinking we've all treaded water long enough. If Ted's dating misadventures were even the least bit compelling anymore, that would be another story. But the season of Zoey and The Captain is best forgotten. And now they're teasing us about the identity of Barney's bride? It's all just too coy for my tastes. But wow, the halo effect of Two and a Half Men's comeback last week resulted in some mighty powerful ratings for this show. So maybe you're just too fixated on the haters, because someone besides you must still be enjoying it. Although I'm not convinced that once we know who the "mother" is, that's the end of the show. I'd like to think we'd get at least a bit more of the journey to let us know just what it is that makes this woman the one.Question: If Shonda Rhimes' idea of Meredith and Derek acting like grown-ups is Derek running off and pouting every time these two have an argument, then Shonda needs her head examined! This is nuts. Why is it that only the women can screw up on Grey's Anatomy, but the men can do whatever they want? Derek breaks the rules and all he gets is a slap on the wrist and a "Don't do that again" and yet Meredith gets fired? What gives? If my husband verbally abused me every time he got angry, I would be gone. Meredith is expected to forgive him and just go on with her life. Yet Derek can hold a grudge like there is no tomorrow. Now it appears they lose Zola and I am sure Derek will find a way to blame her for that too. If this is how they are going to treat their actors, I hope Ellen Pompeo and Patrick Dempsey run after this season and don't look back. It's an insult to not only the fans but the actors the way they treat these characters! - NancyMatt Roush: Seems to me that Alex paid a pretty steep price for ratting on Meredith in terms of his friendships, so it doesn't always come down only on the women. (Although did they have to make April such a ninny on her first day as chief resident?) Everyone on this show makes mistakes, and usually, they pay for it somehow. I'm a big believer in dramatizing consequences, and it was pretty clear that once Meredith messed with Derek's trial, even for the best of reasons (Adele), it was going to blow up badly. It's called conflict, and Grey's Anatomy is a romantic melodrama, so there's always going to be something rocking everyone's world. And if this couple didn't have some problems, I'd be hearing just as many complaints about how boring they've become. These days, Meredith and Derek's main arena of conflict has been the workplace, and she threatened his professional reputation by damaging his trial, so he's got a right to be upset. But there's no question that watching him get in a pouty snit every time he saw Meredith for the entire two-hour opener was no fun to watch.That's all for now. Keep sending your comments and questions to askmatt@tvguidemagazine.com, and in the meantime, follow me on Twitter!Subscribe to TV Guide Magazine now!

FX teams with Audi for short

'Unititled Jersey City Project'FX Network is riding along with Audi of America to produce "Unititled Jersey City Project," an original 16-minute short-form drama that revs up Sunday and will air during the cabler's Sunday primetime movies broadcasts.The branded entertainment project revolves around stories of fame, power, money and death, and is set amidst the fast-developing Jersey City waterfront.Installments of the series will air as eight, two-minute episodes over four consecutive weeks.Episodes were developed to appear as fragments of a television series or film, with each supplying a piece of a puzzle involving men working for an architectural firm who are hiding a dark secret.It's also available online at www.untitledjerseycityproject.com, where viewers can explore the interactive world of Jersey City and find clues to piece together the mysteries from the shorts through new storylines and characters -- and suggest titles for the project.FX and Audi jointly produced the series, which was teased during the Emmys broadcast on Fox and through ads in theaters. Audi is the official automotive partner of the Academy of Television Arts & Sciences.Audi's Studio Progress Films banner produced the "Jersey" project, with Daniel Minahan, who has helmed episodes of "True Blood" and "Game of Thrones," directing.Naturally, the drama showcases Audi's vehicles, namely its new A6 sedan, and its high-tech features.The "Jersey City" project isn't Audi's first foray into producing entertainment. Company produced a feature-length docu on the 24-hour Le Mans race, and followed that up with a docu about the U.S. Olympic ski team that aired on NBC. This year, it also produced a series of comedic shorts that featured Joel McHale teaching Melissa McCarthy on how to read the Emmy nominees and Jeremy Piven, Kristen Chenoweth, Megan Mullally and Jackee Harry on what life is like after winning an Emmy trophy."Since our inception, Audi has embraced creativity, innovation and new ways of thinking," said Scott Keogh, chief marketing officer of Audi of America. "What better way to engage with our progressive audience than through forward-thinking entertainment." Contact Marc Graser at marc.graser@variety.com

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